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Raphael at the Vatican (French: Raphaël au Vatican) is an 1832 history painting by the French artist Horace Vernet. It depicts an encounter in Rome between the Renaissance artists Raphael and Michelangelo. It was inspired by a passage in the biography of Raphael written by Quatremère de Quincy.
The Procession to Calvary (Raphael) [Wikidata] National Gallery, London, United Kingdom: Oil on panel 24,4 x 85,5 1504–1505 Madonna del Granduca: Palazzo Pitti, Florence, Italy: Oil on panel 84,4 x 55,9 1505: Ansidei Madonna: National Gallery, London, United Kingdom: Oil on panel 216,8 x 147,6 1505: Saint John the Baptist Preaching (Raphael ...
It was commissioned by Cardinal Giulio de' Medici, then Archbishop of Narbonne and later Pope Clement VII (r. 1523–24), in what was effectively a contest engineered by Michelangelo, using Sebastiano as "a kind of deputy", [1] or "cat's paw", [2] in a rivalry between the two and Raphael, whose Transfiguration (now in the Vatican Pinacoteca) is ...
Raphael is considered to be a “master” of the High Renaissance, a title he shares with Michelangelo and Leonardo da Vinci. He was born in 1483 and died in 1520, living a mere thirty-seven years. Despite his relatively short lifespan, his influence was significant. He produced a vast quantity of work in a variety of media.
Prophet Isaiah by Michelangelo. Much comparison is made of the Raphael fresco Prophet Isaiah to the work of Michelangelo, Ernst Gombrich going as far to suggest that Michelangelo may have hired Raphael to work on Ezekiel for the Sistine Chapel, which he believes is much more reflective of Raphael than of Michelangelo.
Raphael, Disputation of the Holy Sacrament, 1509-1510. The first composition Raphael executed between 1509 and 1510 [7] was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.
One specific technique, for which Michelangelo is famous, that is found in much of Raphael's art, is the twisted pose as is depicted here. Raphael had the privilege of accessing works by Leonardo and Michelangelo as many of their artworks were commissioned by Florentine patrons. Having studied in Florence, Raphael had the opportunity to utilize ...
The famous frescoes of Michelangelo in the Sistine Chapel and the Raphael Rooms in the Apostolic Palace, the Court of St. Damasus with its loggias, the Via Giulia and Via della Lungara, even the statue of Moses which graces his tomb in the church of San Pietro in Vincoli, are lasting witnesses of his great love of art.