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"Turn Me On" was written by Ester Dean, David Guetta, and Giorgio Tuinfort. An additional rap was written by Nicki Minaj for the song. On an interview with Billboard, David Guetta said: "I am so proud of what Nicki did on this record because we know her for those crazy raps but the other record that we have, she is singing like—oh man.
"You Turn Me On, I'm a Radio" was released as a single in November 1972 via Asylum Records. The song became Mitchell's first top-ten hit in Canada, reaching the tenth position on the RPM Top Singles chart. [5] Additionally, the single became her first top-forty hit in the United States, reaching number twenty-five on the Billboard Hot 100. [6]
"You Turn Me On (Like a Radio)" is a song written by Bob McDill and Jim Weatherly, and recorded by American country music artist Ed Bruce. It was released in October 1984 as the first single from his album Homecoming. The song reached number 3 on the Billboard Hot Country Singles chart. [1]
The song is noticeable for Whitcomb's falsetto and "orgasmic vocal hook". [2] Whitcomb recorded this song with his band, Bluesville. The hit version is edited; the original single as recorded was over 3 minutes and had a longer intro during which a mike stand can be clearly heard falling into a studio wall and it had a cold ("stinger") ending.
"Turn Me On" is the debut single of Vincentian singer Kevin Lyttle. It was the lead single from his self-titled debut album.The song was originally a soca ballad released in 2002 on the VP Records sublabel Waist Line Muzik, [1] remade into a dance hit for the US release.
Ian Timothy Whitcomb (10 July 1941 – 19 April 2020) was an English entertainer, singer-songwriter, record producer, writer, broadcaster and actor. As part of the British Invasion, his hit song "You Turn Me On" reached number 8 on the Billboard Hot 100 chart in 1965.
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According to the official sheet music for "Turnin' Me On", it is set in common time and has a moderate tempo of 112 beats per minute. The key of the song is in B minor and progresses in the chord progressions of Bm–A–Bm–A followed by G–A–Bm–A in the verses and choruses. During the bridge, it changes to G–A–A–Bm.
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