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The AllMusic review by Richie Unterberger awarded the album 3 stars, stating "As with his previous album Spanish Grease, the toughest and most memorable track is the one Bobo original, 'Fried Neck Bones and Some Homefries.'
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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical, electric, or acoustic guitar. In 20th and 21st century traditional music and popular music such as blues , swing , jazz , jazz fusion , rock and heavy metal , guitar solos often contain virtuoso techniques ...
Nutrition (Per 85 g serving): Calories: 300 Fat: 12 g (Saturated fat: 2.5g) Sodium: 190 mg Carbs: 49 g (Fiber: 1 g, Sugar: 35 g) Protein: 3 g. Even the worst of KFC's desserts, the Café Valley ...
[3] [better source needed] Also in 1974, the song "Free Bird" by Lynyrd Skynyrd was also released, and the guitar solo in the song is widely acclaimed as an earlier example of shredding. In 1969, guitarist Jimmy Page from Led Zeppelin composed " Heartbreaker "; his guitar solo introduced many complex techniques mixed together (very fast playing ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...