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Music from the Motion Picture Pulp Fiction is the soundtrack to Quentin Tarantino's 1994 film Pulp Fiction, released on September 27, 1994, by MCA Records. No traditional film score was commissioned for Pulp Fiction. The film contains a mix of American rock and roll, surf music, pop and soul. The soundtrack is equally untraditional, consisting ...
Their 1961 song "Comanche" which was written by Robert Hafner has been featured on two soundtracks. [8] It first appeared as the "Detoured Theme" in The Exiles (1961). [9] [10] [11] It was later included along with several other surf music hits on the soundtrack of the film, Pulp Fiction (1994). [12]
In 1994, Jungle Boogie was repopularized on the soundtrack of the film Pulp Fiction. [4] It was also used in promo packages by wrestling promotion Extreme Championship Wrestling in the mid-1990s. Background
The song "Bullwinkle Part II" was used in the 1994 film Pulp Fiction and features on the soundtrack album. The film's success led to the band's reunion. In 1999 "Bullwinkle Part II" was covered by Elliot Easton's Tiki Gods on the Del-Fi tribute compilation "Delfonic Sounds Today!".
As Pulp became part of the Britpop music scene, they scored their first major hits, most notably "Common People" and "Disco 2000". Their 1995 album Different Class was a commercial success, peaking at No. 1 in the UK and going Platinum four times.
The song enjoyed a second life when it appeared on the 1994 Pulp Fiction soundtrack, performed by rock band Urge Overkill. Other versions have been recorded by Cliff Richard (1968), Jackie Edwards (1968), the Biddu Orchestra (1978), and 16 Volt (1998).
Uma Thurman, the inspiration for the song. The song prominently samples the theme music from The Munsters, taking an electric guitar riff and baritone sax line. [7] Its title is a reference to American actress Uma Thurman's character Mia Wallace dancing with John Travolta's character Vincent Vega in an iconic scene of the film Pulp Fiction.
"Flowers on the Wall" is a song originally recorded by American country music group The Statler Brothers. Written and composed by Lew DeWitt, the group's original tenor vocalist, the song peaked in popularity in January 1966, spending four weeks at number two on the Billboard magazine Hot Country Singles chart, and reaching number four on the Billboard Hot 100 chart.