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Musically, "Skin" is a R&B song that contains influences from pop, dance-pop and dubstep genres, while lyrically, the song is about being in a relationship with someone and wanting to feel their skin. The song received generally positive reviews from critics, as part of their overall review of Loud, praising "Skin " 's compositions as well as ...
Named by NME as introspective, [2] "Some Type of Skin" is a synth-pop [3] and alternative pop track with elements of electropop, [4] and a "folkloric light". [5] British magazine DIY described the song as a "simultaneously euphoric and melancholic earworm".
"Blinded by the Light" is a song written and recorded by Bruce Springsteen, which first appeared on his 1973 debut album Greetings from Asbury Park, N.J. A cover by British rock band Manfred Mann's Earth Band reached number one on the Billboard Hot 100 in the United States in February 1977 and was also a top ten hit in the United Kingdom, New ...
"(I'm Always Touched by Your) Presence, Dear" is a song by the American band Blondie, from their 1978 album Plastic Letters. Written by former Blondie bassist Gary Valentine , the song was based on the telepathic connections that Valentine believed he experienced with his girlfriend, journalist Lisa Jane Persky , while on tour.
"Colour of Your Jumper" is a song written by Australian singer songwriter Archie Roach in 1993, following an incident where Indigenous Australian Football League player Nicky Winmar was receiving racial abuse from spectators resulting in Winmar lifting up his jumper and, facing to the crowd, pointed to his skin.
It proved so popular, Gibbard recruited other musicians to make a full band, which would go on to record Something About Airplanes, the band's debut studio album. You Can Play These Songs with Chords was expanded with ten more songs and re-released on October 22, 2002, through Barsuk Records on the heels of the success of The Photo Album.
The song has been used in a great many television shows and motion pictures. In 1935, the song in short was used in the Charles Laughton film Ruggles of Red Gap in a segue. Later, the movie of the same title was released in 1953, starring Doris Day. It served as a sequel to On Moonlight Bay, which also starred Doris Day.
Duke Ellington recorded the song in New York City on December 1, 1944. Released as RCA Victor 20-1618 [2] in early 1945, the record by Duke Ellington and his Famous Orchestra, featuring a vocal by Joya Sherrill, [3] went to No. 4 on the Harlem Hit Parade chart in Billboard and reached No. 6 on the pop chart.