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Nanocellulose is a term referring to a family of cellulosic materials that have at least one of their dimensions in the nanoscale. Examples of nanocellulosic materials are microfibrilated cellulose, cellulose nanofibers or cellulose nanocrystals. Nanocellulose may be obtained from natural cellulose fibers through a variety of production processes.
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Magyar vándor (English: The Hungarian Strayer [1] or Hungarian Vagabond [2]) is a 2004 Hungarian action comedy film directed by Gábor Herendi and starring Károly Gesztesi, János Gyuriska and Gyula Bodrogi. The plot contains elements of time travel fiction.
The film is set in a civil war-ridden Moldova as invisible entities slaughter any living being caught on their path. The film was released worldwide on December 9, 2016 on Netflix . [ 4 ] On February 1, 2017, Netflix released a prequel graphic novel of the film called Spectral: Ghosts of War which was made available digitally through the ...
The story takes place in Budapest in 1991. Zsófi (Dorka Gáspárfalvi) moves to a new elementary school and becomes friends with Liza (Dorottya Hais). Zsófi joins the award-winning school choir but she is told not to sing out loud because Erika, the teacher, doesn't consider her good enough and the choir is preparing for a competition where they can win a trip to Sweden.
Bulcsú (Sándor Csányi) is a ticket inspector on the underground; he spends his nights sleeping on the train platforms, and never leaves the underground.His ragtag team of inspectors – consisting of the veteran Professzor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) – is routinely ...
The film's non-linear and fragmented structure allows the linking of images, sometimes almost subliminally, to evoke Szindbád's memories or his subconscious, and the description "Proustian" has repeatedly appeared in critical assessments (perhaps echoing a frequent characterization of the writings of the author of the original stories, Gyula ...
The film was six years in the making for directors/writers Kristina Buožytė and Bruno Samper, [7] who had already collaborated together on Vanishing Waves in 2012. [8] They chose to shoot it in English to broaden its appeal. [5] It was shot in Vilnius, Lithuania, [9] mostly outdoors except the scenes inside Vesper's house, which were shot in ...