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In addition to the introduction being original, competitors may also incorporate verbal transitions, so long as they do not exceed 100 words or change the intent of the author. Other than for transitional and introductory purposes, though, no original words may be added to the piece. Gratuitous vulgarity refers to any unnecessary vulgar actions.
Impromptu speaking is a speech that a person delivers without predetermination or preparation. The speaker is most commonly provided with their topic in the form of a quotation, but the topic may also be presented as an object, proverb, one-word abstract, or one of the many alternative possibilities. [1]
Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement.The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as humours (Latin: humor, "body fluid"), controlled human health and emotion.
However, subverting these and other common guidelines can also be a source of humour—the shaggy dog story is an example of an anti-joke; although presented as a joke, it contains a long drawn-out narrative of time, place and character, rambles through many pointless inclusions and finally fails to deliver a punchline. Jokes are a form of ...
Gov. Tim Walz (D-Minn.) has revealed the simple words of encouragement that Vice President Kamala Harris said to him before he gave his introduction speech in August at a Harris rally in Philadelphia.
Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition. It is also the basis for ...
A paraprosdokian (/ p ær ə p r ɒ s ˈ d oʊ k i ə n /, or par'hyponoian, is a figure of speech in which the latter part of a sentence, phrase, or larger discourse is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part.
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