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When displayed on a black-and-white monitor, the luminance signal produces a normal black-and-white image, while the chrominance signal manifests as a fine pattern of dots of varying size and intensity overlaid over the black-and-white picture. A related phenomenon is dot crawl, which can produce visual artifacts in colour pictures.
For this reason, each of the text and graphics modes has a duplicate mode which disables the composite colorburst, resulting in a black-and-white picture, but also eliminating color bleeding to produce a sharper picture. On RGBI monitors, the two versions of each mode are usually identical, with the exception of the 320 × 200 graphics mode ...
These may also use other aspect ratios by cropping otherwise black bars at the top and bottom which result from cinema aspect ratios greater than 16∶9, such as 1.85 or 2.35 through 2.40 (dubbed "Cinemascope", "21∶9" etc.), while the standard horizontal resolution, e.g. 1920 pixels, is usually kept.
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Bottom panel: The corresponding frame in the final version in which the actor impersonates Barack Obama "appearing" outside the White House's East Room. [ 2 ] Chroma key compositing , or chroma keying , is a visual-effects and post-production technique for compositing (layering) two or more images or video streams together based on color hues ...
This also means one UXGA 20-inch monitor in portrait orientation can also be flanked by two 30-inch WQXGA monitors for a 6320 × 1600 composite image with an 11.85:3 (79:20, 3.95:1) aspect ratio. An early consumer WQXGA monitor was the 30-inch Apple Cinema Display, unveiled by Apple in June 2004.
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Monochrome monitors are commonly available in three colors: if the P1 phosphor is used, the screen is green monochrome. If the P3 phosphor is used, the screen is amber monochrome. If the P4 phosphor is used, the screen is white monochrome (known as "page white"); this is the same phosphor as used in early television sets. [2]