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Genette is largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, for example such terms as trope and metonymy.Additionally, his work on narrative, best known in English through the selection Narrative Discourse: An Essay in Method, has been of importance. [3]
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
Metatextuality is a form of intertextual discourse in which a text makes critical commentary on itself or on another text. This concept is related to Gérard Genette 's concept of transtextuality in which a text changes or expands on the content of another text.
Transtextuality is defined as the "textual transcendence of the text".According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". [1]
Gerard, who took over Vortex in the fall of 2007, didn’t put much stock in their ideas. As he said, “Academia and law enforcement are at opposite ends of the spectrum. They like theories, we like results.” Therefore, when David Kennedy, a pro-fessor in the anthropology department at John Jay College of Criminal Justice, in New
Palimpsests: Literature in the Second Degree is a 1982 book by French literary theorist Gérard Genette.Over the years, the book's methodological proposals have been confirmed as effective operational definitions, and have been widely adopted in literary criticism terminology.
Diegesis (/ ˌ d aɪ ə ˈ dʒ iː s ɪ s /; from Ancient Greek διήγησις (diḗgēsis) 'narration, narrative', from διηγεῖσθαι (diēgeîsthai) 'to narrate') is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases ...