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Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM .
Admission was five dollars and the club offered free juice and water to dancers. In the middle floor is where DJ Knuckles began to experiment with editing disco breaks on a reel-to-tape recorder. This mixing would soon become the beginnings of the house music genre. [5] The Warehouse became a hub for the people of Chicago, specifically black ...
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot.At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers.
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Ron Hardy (May 8, 1958 – March 2, 1992) was an American, Chicago, Illinois-based DJ and record producer of early house music. He is well known for playing records at the Muzic Box, a Chicago house music club. Decades after his death, he is recognized for his innovative edits and mixes of disco, soul music, funk and early house music.
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An underrecognized father of Chicago House, Jere McAllister (born Alan Walker) was a member of Steve "Silk" Hurley's ID Records [3] and co-produced with Eric "E-Smoove" Miller. [4] Michael Jackson, Janet Jackson, Dianna Ross, INXS, and Frankie Knuckles are a few of the Disco, House, R&B, and Soul artists he collaborated with. [5]