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A good new song about an old subject. [1] Former politician Donie Cassidy, who owns the rights to the song, has said: It's a beautiful love song. The words in the first line of the chorus: 'Grace just hold me in your arms and let this moment linger' – they are just haunting, and so many people can resonate with it. [6]
The song was designed to provide a way for Victoria to introduce her character to the audience, as she communicates solely through gestures and dance in the original stage show. [2] Swift described the song as such: "Beautiful Ghosts" is sung from a young voice who is wondering if she will ever have glory days.
And "Only Love Can Break Your Heart", and "Don't Let It Bring You Down". So to sit at that same piano at the age of 70 was really kind of spooky and haunting and beautiful." [11] One of the highlights during recording for Nils Lofgren was capturing the song "Welcome Back". He explains: "We were doing an aggressive take, and then we took a break.
Find the best love songs of all time, including rap, country and R&B songs from the 60s, 70s, 80s, 90s, and 2000s, describing every stage of the relationship. ... Chris Isaak puts a haunting spin ...
Let’s be honest: Love songs always hit right in the feels. A ballad can transform from a regular song into the soundtrack of your relationship—whether you’re celebrating your 25th ...
"Haunted Heart" is a song recorded by American singer and songwriter Christina Aguilera, taken from the soundtrack to the 2019 animated film The Addams Family. The song was written by Aguilera, Antonina Armato and Tim James, and produced by the latter two (comprising the duo Rock Mafia).
"Young and Beautiful" is a song by American singer and songwriter Lana Del Rey used for the soundtrack to the drama film The Great Gatsby. Contemporary music critics lauded the single, calling it "haunting" and "somber". Lyrically, "Young and Beautiful" follows a young lover's apprehension about whether love can last.
"Love Song for a Vampire" is a song composed and recorded by Scottish singer-songwriter Annie Lennox. It was recorded for Francis Ford Coppola 's 1992 film, Bram Stoker's Dracula based on the 1897 gothic horror novel, where it plays during the end credits.