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"Hurt So Bad" is a song written by Teddy Randazzo, Bobby Weinstein, and Bobby Hart. It is a 1965 Top 10 hit ballad originally recorded by Little Anthony & The Imperials . Linda Ronstadt also had a Top 10 hit with her cover version in 1980.
The album's singles — the manic, Blondie-esque rocker "How Do I Make You" and the dark, breathless remake of the 1965 ballad "Hurt So Bad" — climbed to the #10 and #8 positions on the Billboard charts in mid 1980, while other tracks like "I Can't Let Go" received heavy rotation on classic rock FM stations.
"Hurt So Bad" an Imperials' top ten song, was covered by Linda Ronstadt, as well as the Lettermen, Alicia Keys, Grant Green, the Delfonics, Nancy Wilson, Nancy Holloway, the Philly Devotions, Willie Hutch, Arthur Prysock, Tracy Huang, Cathy Carlson, Willie Bovain, Ramsey Lewis, Herb Alpert and The Tijuana Brass, and Nancy Holliday.
This is a partial list of recordings of songs on which Hal Blaine, ... "Hurt So Bad"(Nelson Riddle) [33] "The Happening" (The Supremes) [5] [10]
The hit songs included "Goin' Out of My Head" [5] (1964, number 6 Pop, number 22 R&B), which was subsequently recorded by numerous artists including the Zombies; "Hurt So Bad" (1965, number 10 Pop, number 3 R&B), which was recorded four years later by the Lettermen (number 12 in 1969), and then by Linda Ronstadt who took it to number 8 in 1980 ...
Hurt So Bad is a 1969 studio album by Nancy Wilson, featuring arrangements by Jimmy Jones, Billy May, Oliver Nelson, and others.The album entered the Billboard Top 200 Chart on November 8, 1969, and remained for 18 weeks, peaking at #92 in January 1970.
The title track is a version of the George Gershwin aria from the 1935 opera Porgy and Bess, though influenced by the Miles Davis jazz interpretation of the song. [1] It was released as a single in June 1971 with "Hurt So Bad" on the flip side, but it failed to chart. [2]
The Music Box's John Metzger called the album "a truly amazing effort that is full of promise for the future, even as it looks to the past," and wrote: "Tedeschi is the real deal, and... the comparisons to Joplin and Raitt truly are warranted. She approaches songs with the same level of passion, hiding her pain beneath the strength of her voice ...