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Each episode features complete musical pieces, interviews and behind-the-scenes footage with some of today's most notable jazz artists. Shot in HDTV with multiple moving cameras and a medley of elegant, cinematic lighting designs, SOLOS: the jazz sessions showcases an exciting and dynamic variety of jazz styles – from the blues and boogie ...
Categories of notes discussed above are one of the key ingredients in automating the generation of melodies, which can be used by the musician in constructing solos. The other key ingredient is a context-free grammar having terminal symbols for each of the four categories, along with a few other terminal symbols for convenience. The grammar ...
In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song. [1] The turnaround may lead back to this section either harmonically, as a chord progression, or melodically.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
Prelude, Fugue and Riffs is a "written-out" jazz-in-concert-hall composition composed by Leonard Bernstein for a jazz ensemble featuring solo clarinet.. The title points to the union of classical music and jazz: Prelude (first movement) and Fugue (second movement) – both baroque forms – are followed immediately without a pause by a series of "riffs" (third movement), which is a jazz term ...
"Chitlins con Carne" is a jazz blues instrumental composed by guitarist Kenny Burrell and first released on his 1963 album Midnight Blue. The original version featured Burrell on guitar, Stanley Turrentine on tenor saxophone, Major Holley on bass, Billy Gene English on drums, and Ray Barretto on congas.
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Eddie Jefferson (August 3, 1918 – May 9, 1979) [1] was an American jazz vocalist and lyricist. He is credited as an innovator of vocalese, a musical style in which lyrics are set to an instrumental composition or solo.
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