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The MV7 was rated the best podcasting microphone by Rolling Stone in their 2021 Audio Awards. [1] Designed to be mounted on a stand or boom arm, the MV7 can send its audio signal through a USB cable to a Macintosh or Windows computer, or to Android or iOS devices. To augment the microphone's capabilities, Shure supplies Motiv, a free-to-use ...
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
A Soundfield microphone kit, consisting of the microphone and a signal processor, produces two distinct sets of audio signals called A-Format and B-Format. The sound processor may be either dedicated hardware, or a computer running software. The software processing may be done in real-time during the recording, or later offline.
Field recording is typically recorded in the same channel format as the desired result, for instance, stereo recording equipment will yield a stereo product. In contrast, a multitrack remote recording captures many microphones on multiple channels, later to be creatively modified, augmented, and mixed down to a specific consumer format.
Often each instrument or vocalist is miked separately, with one or more microphones recording to separate channels (tracks). At a later stage, the channels are combined ('mixed-down') to two channels for stereo or more for surround sound. The artists need not perform in the same place at the same time, and individual tracks (or sections of ...
A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice) for stereophonic recording. Some such microphones have an adjustable angle of coverage between the two channels.
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