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In 2023, the Super Mario Bros. theme was selected by the U.S. Library of Congress for preservation in the National Recording Registry in 2023 based on its "cultural, historical or aesthetic importance in the nation's recorded sound heritage." [31] [32] The theme was the first recording from a video game ever selected for preservation in the ...
According to Ultimate Guitar, "Almost Unreal" is a mid-tempo pop rock song composed in the key of E major, and is written in common time with a moderate tempo of 92 beats per minute. The intro is composed of two repetitions of an E–B–A sus 2 sequence, followed by a further two lines composed of C♯m –B–Asus 2 .
Danger Man – Series 1 "The Danger Man Theme" Edwin Astley, series 2–4 "High Wire" Edwin Astley, series 2–4 in the U.S. as Secret Agent, "Secret Agent Man" theme composed by P. F. Sloan and Steve Barri, and recorded by Johnny Rivers.
Koji Kondo (Japanese: 近藤 浩治, Hepburn: Kondō Kōji, born August 13, 1961) is a Japanese composer and senior executive at the video game company Nintendo.He is best known for his contributions for the Super Mario and The Legend of Zelda series, with his Super Mario Bros. theme being the first piece of music from a video game included in the American National Recording Registry.
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Kazumi Totaka (戸高 一生, Totaka Kazumi, born August 23, 1967) [1] is a Japanese video game composer and sound director who is best known for his various compositions in many Nintendo games.
U.S. audiences will have to wait a little longer to get their Paddington fix, as the successful film franchise’s third installment, “Paddington in Peru,” shifts from a Jan. 2025 release to ...
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.