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Musicologist James Webster defines through-composed music in the following manner: In general usage, a 'through-composed' work is one based on run-on movements without internal repetitions. (The distinction is especially characteristic of the literature of the art-song, where such works are contrasted with strophic settings.) [3]
The song was originally recorded by Barrett Strong and released on Tamla in August 1959. [6] Anna Records was operated by Gwen Gordy, Anna Gordy and Roquel "Billy" Davis.Gwen and Anna's brother Berry Gordy had just established his Tamla label (soon Motown would follow) and licensed the song to the Anna label in 1960, which was distributed nationwide by Chicago-based Chess Records in order to ...
On July 14, 2022, YouTube made a special playlist and video celebrating the 317 music videos to have hit 1 billion views and joined the "Billion Views Club". [65] [66] On April 1, 2024, the communications app Discord incorporated a short trailer video into their in-app April Fools' Day prank regarding loot boxes. The video automatically looped ...
In strophic form, the structure of each stanza is the same. In through-composed form, each stanza does not repeat. The strophic composition is typical in the earlier works. The through-composed composition came after 1200. Transcription of the beginning of the 2 part conductus Luget Rachel iterum (Notre-Dame polyphony, Anonymous).
"Home" is a song written and recorded by American group Edward Sharpe and the Magnetic Zeros. It was released in January 2010 as the second single from the album, Up from Below. The song came in at number 73 on Australian radio station Triple J's 100 hottest songs of the past 20 years. [1]
Many art songs use some version of the ABA form (also known as "song form" or "ternary form"), with a beginning musical section, a contrasting middle section, and a return to the first section's music. In some cases, in the return to the first section's music, the composer may make minor changes.
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute.
Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. [1] Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.