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A Way to See in the Dark is a music album by Jason Gray released September 13, 2011. It is his ninth solo record and his third major label national release with Centricity Music . It was produced by Jason Ingram and Rusty Varencamp, the same production team from his previous release, Everything Sad Is Coming Untrue .
A Pleasant Shade of Gray is the eighth studio album by progressive metal band Fates Warning, released on April 22, 1997, through Metal Blade Records. [1] It is a concept album , and contains one song divided into twelve parts and is noted for its darker mood and more progressive style.
"Shades of Gray" is a song written by Barry Mann and Cynthia Weil, recorded by the Monkees for their 1967 album Headquarters. Lead vocals were shared by Davy Jones and Peter Tork, [2] and this is the only track on the album featuring instruments performed by session musicians instead of the band members (and producer Chip Douglas) themselves (French horn and cello).
A compilation album, Chasing Time, was released in 1995 and included two previously unreleased songs. In 1996, both Joe DiBiase and Frank Aresti left the group. The three remaining members, Alder, Matheos and Zonder, joined by new member Joey Vera on bass and Kevin Moore as a guest keyboardist, released A Pleasant Shade of Gray the
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14 Shades of Grey is the fourth studio album by American rock band Staind, released on May 20, 2003. The album continues the post-grunge sound as seen on the band's previous album Break the Cycle , but the songs on 14 Shades of Grey have fewer pop hooks , focusing more on frontman Aaron Lewis 's emotions. [ 3 ]
Elton John is sharing another update about his eyesight.. During the opening-night premiere of The Devil Wears Prada: The Musical in London on Sunday, Dec. 1, the 77-year-old musician addressed ...
Gray is an American experimental band formed by artist Jean-Michel Basquiat and filmmaker Michael Holman in 1979, of whom filmmaker Vincent Gallo was also a member. The group was influenced by the members' artist backgrounds and the sonic experimentation of their contemporaries in New York 's no wave scene.