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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Musical overtures can be: Instrumental pieces that precede a stage production; One-movement pieces for concert performance or specific occasions (concert overtures); Baroque suites, in that case synonym to "Ouverture".
Overture di Ballo; Overture in A minor; Overture in C, "In Memoriam" Overture in E major and Ballet Scene; Overture in G major (Cherubini) Overture on Hebrew Themes; Overture Respighiana; The Myth of Falcon; Overture to a Picaresque Comedy; Overture to an Italian Comedy
The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries. An Italian overture typically has a three- movement structure [ 1 ] – the outer movements are quick, the middle movement is slow.
Making Overtures: The Story of a Community Orchestra is a 1985 Canadian short documentary film directed by Larry Weinstein. It was nominated for an Academy Award for Best Documentary Short . [ 1 ] [ 2 ]
The sociology of music looks specifically at these connections and the musical experiences tied to the person and the music itself. [1] In addition, the act of making music is a social production as well as a social activity. Even if the music artist is a solo performer, the production of the music itself, took a level of social effort.
Note: The "lost overture" to King Kong (1933), which first premiered on the channel Turner Classic Movies in 2005 and was released on DVD that same year, is in fact a montage of music recordings from the film spliced together for that specific release.
Leonore No. 3 Overture, Op. 72b (1806); one of a series of overtures composed for the opera Leonore, later renamed Fidelio. Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale.