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The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
Similarly, Charlotte Perkins Gilman wrote a short essay entitled The Extinct Angel in which she described the angel in the house as being as dead as the dodo (Gilman, 1891: 200). The art historian Anthea Callen adapted the poem's title for her monograph on female artists, The Angel in the Studio: Women in the Arts and Crafts Movement 1870 ...
Victorian women's clothing followed trends that emphasised elaborate dresses, skirts with wide volume created by the use of layered material such as crinolines, hoop skirt frames, and heavy fabrics. Because of the impracticality and health impact of the era's fashions, a dress reform movement began among women
During the Victorian period of the mid-to-late 19th century, social attitudes required women to cover their bosoms in public. High collars were the norm for ordinary wear. Towards the end of this period, the full collar was in fashion, though some décolleté dresses were worn on formal occasions. [88]
Victorian dress reform was an objective of the Victorian dress reform movement (also known as the rational dress movement) of the middle and late Victorian era, led by various reformers who proposed, designed, and wore clothing considered more practical and comfortable than the fashions of the time.
The long 1854 poem The Angel in the House by Coventry Patmore (1823–1896) exemplified the idealized Victorian woman who is angelically pure and devoted to her family and home. The poem was not a pure invention but reflected the emerging legal economic social, cultural, religious and moral values of the Victorian middle-class.
Accordingly, fashion became less restrictive than the Victorian era dress and required less fabric to make, saving the much needed resources. An article written by Laura Doan states, the newly found freedom of women is considered to have been a catalyst for the commencement of women including more masculinised fashion and style in their own ...
The Rational Dress Society was an organisation founded in 1881 in London, part of the movement for Victorian dress reform. It described its purpose thus: The Rational Dress Society protests against the introduction of any fashion in dress that either deforms the figure, impedes the movements of the body, or in any way tends to injure the health.