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The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1] [2] [3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
The implication here is that insofar as God the Father or the Spirit did not become man, visible and tangible, images and portrait icons can not be depicted. So what was true for the whole Trinity before Christ remains true for the Father and the Spirit but not for the Word. John of Damascus wrote: [15]
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
In the background Joseph is working on making a yoke.The yoke refers both to the coming of the Lord according to Isaiah ("For the yoke of their burden, and the bar across their shoulders, the rod of their oppressor, you have broken as on the day of Midian"), as well as the words of Jesus according to Matthew the Apostle ("Come to me, all you ...
Church stained glass representation of the Holy Spirit as a dove, Bernini c. 1660. In mainstream Christianity, the Holy Spirit is one of the three divine persons of the Trinity who make up the single substance of God; that is, the Spirit is considered to act in concert with and share an essential nature with God the Father and God the Son (Jesus).
In the background is a blue sky within two rocky spurs, in front of which are Mary Magdalene, taken in an intense praying posture, and St. John the Baptist, patron saint of Florence, who, as usual in the pictures of the period, is pointing to the centre of the composition.
The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending on Jesus like a dove when he was baptized in the Jordan river. [149] In many paintings of the Annunciation , the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Jesus Christ ...
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