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On September 6, 2018, The New York Times reported that the Philatelic Foundation had authenticated an inverted Jenny stamp that had not been seen since the original sheet of 100 was divided in 1918. It is a sixth never-hinged copy, the long-missing Jenny at position No. 49. [ 44 ]
A normal U. S. stamp was wrapped around a circular cardboard disc and then placed inside a coin-like circular brass jacket. A transparent mica window in the jacket allowed the face of the stamp to be seen. All eight denominations available in 1861–62, ranging from 1 cent to 90 cents, were offered in encased versions.
Each stamp featured an ornate colored frame enclosing a black-and-white image of some means of (or adjunct to) modern rapid transportation. In the standard American Scott catalog, these six stamps carry the numbers 294–299. The first day of issue for the stamps was May 1, 1901. [1]: 60–61 The two color printing left the possibility of errors.
An oddity is something that is within the bounds of usability for the stamp, but still has a distinctive appearance. The usual sort of oddity is misregistration on a multi-colored stamp, which can result in shirts apparently with two sets of buttons, eyes above the top of a person's head, and so forth.
The 1869 Pictorial Issue is a series of definitive United States postage stamps released during the first weeks of the Grant administration. Ten types of stamp in denominations between one cent and ninety cents were initially offered in the series, with eight of these introduced on March 19 and 20, 1869 and the two greatest values being distributed somewhat later. [1]
A scarcity of postage stamps in WWI caused postal authorities to handstamp "Frankiert mit 7½ H" (plus a seal from the director of posts) on envelopes brought in by the public. In philately , indicia are markings on a mail piece (as opposed to an adhesive stamp ) [ 1 ] showing that postage has been prepaid by the sender.
Early federal stamps are particularly valuable and difficult to acquire. Signed stamps by artists now deceased also command a substantial premium. Remarqued stamps are quickly gaining in popularity with a worldwide audience. Original art on the actual stamp is seen as adding a spectacular flair to collections, making each stamp unique.
Lichtenstein later exhibited the stamp in 1940 at the centenary celebrations of the postage stamp, by the Collectors Club of New York. [3] The Ferrary-Lichtenstein horizontal tête-bêche pair has not been seen since 1940 and is presumed lost to philately. [2]
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