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To the contrary, VANTABLACK, produced by Hathaway with Phil Beaudreau, Ariza, Warryn Campbell and Eric Dawkins rotating at the controls, is closer in sound to Where It All Begins, given that the stylistic descriptors for all of the songs would have to include soul with preceding modifiers such as modern, throwback, hip-hop, folk, and pop. [4]
When light strikes Vantablack, instead of bouncing off, it becomes trapped and continually deflected amongst the tubes, absorbed, and eventually dissipated as heat. [24] CVD Vantablack was an improvement over similar substances developed at the time. Vantablack absorbs up to 99.965% of visible light and can be created at 400 °C (752 °F).
Right now, the lead-in to the article describes Vantablack as "one of" the blackest artificial substances known, yet I can't find mention on Wiki or elsewhere of anything that absorbs more of the visible light spectrum.
Vantablack is an extremely black chemical substance. Vantablack may also refer to: Vantablack, a 2017 dubstep extended play by Dirtyphonics and Sullivan King "Vantablack", a 2017 song by French synthwave musician Perturbator "Vantablack", a 2022 episode of Fleishman Is in Trouble
Vantablack is a collaborative extended play by French electronic band Dirtyphonics and Los Angeles–based electronic rock producer Sullivan King. Vantablack was released on 3 November 2017, by the independent electronic music label , Monstercat .
The Beatles - “Now and Then” The Black Keys - “Beautiful People (Stay High)” Green Day - “The American Dream Is Killing Me” Idles - “Gift Horse”
Despite all the ways that the world has changed since Chris Rock stepped onstage to deliver his third special, “Bigger & Blacker,” which premiered on HBO on July 10, 1999, all you have to do ...
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