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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
The Howlin' Wolf song was the Yardbirds' most popular live number and a regular in their sets. [4] Performances of the song could last up to 30 minutes. [10] Howlin' Wolf reportedly referred to the group's 5:35 album version as "the definitive version of his song". [10]
Henry Gray (January 19, 1925 – February 17, 2020) was an American blues piano player and singer born in Kenner, Louisiana. [1] He played for more than seven decades and performed with many artists, including Robert Lockwood Jr., Billy Boy Arnold, Morris Pejoe, the Rolling Stones, Muddy Waters, and Howlin' Wolf.
Backing Howlin' Wolf on vocals are Otis Spann on piano, Hubert Sumlin on guitar, Dixon on bass, and Fred Below on drums. [10] Freddy King has been identified as possibly a second guitarist. [ 10 ] In 1961, Chess issued the song as the B-side to "Back Door Man"; neither song appeared on the record charts. [ 11 ]
The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records.Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II.
Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, [1] best known for his "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions" as a member of Howlin' Wolf's band. [2]
Howlin' Wolf reworked the song as a Chicago blues, which Chess Records issued as a single in 1957 and later included on the popular compilation series The Real Folk Blues (1966). [7] For the recording, he was backed by a typical blues ensemble consisting of electric guitar ( Hubert Sumlin ), piano (Hosea Lee Kennard), bass (Alfred Elkins), and ...
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