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Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It draws heavily upon the traditional Kongo religion of Central Africa, with additional influences taken from Catholicism and from Spiritism .
Flying Men starting their dance, Teotihuacan Totonacs of Papantla, Veracruz performing the "voladores" ritual Short video of Voladores ritual dance, Cozumel, MX. The Danza de los Voladores (Spanish pronunciation: [ˈdansa ðe los βolaˈðoɾes]; "Dance of the Flyers"), or Palo Volador (pronounced [ˈpalo βolaˈðoɾ]; "flying pole"), is an ancient Mesoamerican ceremony/ritual still performed ...
Religious traditions of African origin have survived in Cuba, and are the basis of ritual music, song and dance quite distinct from the secular music and dance. The religion of Yoruban origin is known as Lucumí or Regla de Ocha; the religion of Congolese origin is known as Palo, as in palos del monte. [11]
The reality is more complex like that; Palo is a new religion that drew upon both Kongo religion and (to a lesser extent) Catholicism, but also made noted innovations of its own. My use of "amid" was an attempt to reflect that Palo emerges from the interaction of these religious traditions but is not just a product of one being stuck on to the ...
Kongo religion (Kikongo: Bukongo or Bakongo) encompasses the traditional beliefs of the Bakongo people. Due to the highly centralized position of the Kingdom of Kongo , its leaders were able to infl uence much of the traditional religious practices across the Congo Basin . [ 1 ]
A nganga (pl. banganga or kimbanda) is a spiritual healer, diviner, and ritual specialist in traditional Kongo religion. [1] These experts also exist across the African diaspora in countries where Kongo and Mbundu people were transported during the Atlantic slave trade, such as Brazil, the southern United States, Haiti and Cuba.
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They can be religious figures playing roles in rituals and ceremonies. [12] With regard to narrative traditions, they usually perform from their repertoire and apply their distinct style while innovating on a well-known tale or work, seeking to create an experience by leading, involving, and responding to the audience.