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Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by some to be a pseudepigraphical [1] passage found in John 7:53–8:11 [2] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives .
However, the outcomes of the journey did not significantly advance Polenov's progress towards the realization of his intended painting of Christ and the Woman Taken in Adultery, as he devoted minimal time to making sketches and studies during the expedition. [19] Christ and the Woman Taken in Adultery (sketch, 1876, State Tretyakov Gallery)
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
The narrative of the painting is based on the story of Jesus and the woman taken in adultery as described in the Gospel of John (the three synoptic Gospels do not contain this story). [53] Siemiradzki's interpretation of the story differs significantly from the traditional Gospel version, in which a woman caught in adultery was forcibly brought ...
Pages in category "Paintings of Christ and the woman taken in adultery" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes .
Pages for logged out editors learn more. Contributions; Talk; Christ and the woman taken in adultery
Christ and the Adulteress (German: Christus und die Ehebrecherin), also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna, depicting Jesus and the woman taken in adultery.
It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil with eyes closed and breasts visible, with her hands folded, begging for mercy, at his feet.