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The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1] The painting loosely depicts events narrated in ...
The Sultan of Morocco is an 1845 oil on canvas painting by the French Romantic and Orientalist painter Eugène Delacroix, now in the Musée des Augustins de Toulouse. [1] Its full title is Moulay Abd-Er-Rahman, Sultan of Morocco, leaving his palace of Meknès, surrounded by his guards and his principal officers .
Mademoiselle Rose (also Seated Nude) is a painting by French Romantic artist Eugène Delacroix, regarded as the leader of the French Romantic school. This nude was painted before 1824, and is currently held and exhibited at the Louvre in Paris. Another is at the Alte Nationalgalerie in Berlin.
Watercolour paintings by Eugène Delacroix (3 P) Pages in category "Paintings by Eugène Delacroix" The following 42 pages are in this category, out of 42 total.
Horse Frightened by a Thunderstorm (c. 1824) by Eugène Delacroix. Horse Frightened by a Thunderstorm or White Horse Frightened by a Thunderstorm [1] is a watercolour on paper work by the French Romantic artist Eugène Delacroix painted sometime between 1824 and 1829, most probably in 1824.
The Execution of the Doge Marino Faliero is an oil painting on canvas completed in 1826 by the French Romantic artist Eugène Delacroix, inspired by the 1821 play Marino Faliero, Doge of Venice by Lord Byron, which in turn was based upon events in the life of the Venetian Doge Marino Faliero (1274–1355). [1]
Head of an Old Greek Woman is a painting completed in 1824 by the French Romantic artist Eugène Delacroix. [1] It is a study for his large oil painting The Massacre at Chios ("Scène des massacres de Scio"); a depiction of the Chios massacre which occurred in 1821 during the Greek War of Independence.
In 1832, while in Morocco as part of a French diplomatic mission, Delacroix witnessed the devotional activities of members of the Isawiyya brotherhood in Tangiers. Initially the artist did a sketch from his memories of the event, then later several watercolors, and finally four of five years later this painting. [3]
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