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Kenny Baker is perhaps the most famed early bluegrass fiddler; he met Bill Monroe and cut a record with the Bluegrass Boys in 1957. [4] Kenny Baker served more years in Monroe's band than any other musician and was selected by Monroe to record the fiddle tunes passed down from Uncle Pen Vandiver.
The Fiddler's Fakebook, by David Brody, is a collection of fiddle tunes in lead sheet form (naturally without lyrics). It includes tunes in the following styles: [1] England; Scotland; Ireland; Shetland; French Canadian; Nova Scotia/Cape Breton; New England; Old-Time; Bluegrass; Texas Style; Western Swing
It also features bassist Viktor Krauss, brother of bluegrass singer and violinist Alison Krauss. Released in 1986, the album is a collection of traditional bluegrass fiddle tunes. [ 1 ] [ 2 ]
It was often mentioned that Baker's records were more popular at Bill Monroe concerts than the band's own releases. [by whom?] There were, and remain, hordes of Baker students of the bluegrass fiddle. [citation needed] As well as a performer, Baker was also a composer of many popularly played bluegrass fiddle tunes. [6]
"Cripple Creek" is an Appalachian-style old time tune and folk song, often played on the fiddle or banjo, listed as number 3434 in the Roud Folk Song Index. The lyrics are probably no older than the year 1900, and the tune is of unknown origin. It has become a standard among bluegrass musicians and is often one of the first songs a banjo picker ...
According to Devon Wells, "Blackberry Blossom", as a banjo tune, was brought to the public's attention as one of the earliest arrangements of Bill Keith. [12] Wells, a bluegrass teacher, asserts that the tune is a standard in the bluegrass banjo repertoire. [13] Tony Rice recorded an influential version of the tune on the album, “Manzanita.”
East Tennessee Blues is an American old-time fiddle song, which dates back to the early 20th century. [1]Written by Charlie Bowman (born in Gray Station, in East Tennessee), it was first recorded by Al Hopkins, (aka The Hill Billies) in 1926. [2]
Once more, a Bluegrass Unlimited reviewer recognized her style and classical training as "very polished and exact" and further suggested that anyone into "clean well-executed fiddle playing should enjoy the album". [1] Williams is a noted composer of fiddle tunes, some of which have been recorded by prominent folk and bluegrass musicians.
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