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Black Men United (B.M.U.) was a collaboration of many African-American male R&B, neo soul and soul music artists. Their only song " U Will Know ", written by a young D'Angelo , was released in 1994. It was featured in the film Jason's Lyric , and on the film's soundtrack .
C.I.A. (band) Cali Agents; Cali Swag District; The Capris (Philadelphia group) Cash Money Millionaires; Cats and the Fiddle; The Chantels; The Charts (American group) The Chi-Lites; Chic (band) Children of the Corn (group) The Chords (American band) The Clark Sisters; Classic Example; The Cleftones; The Coasters; Coming of Age (group ...
Louis Armstrong George Benson Chuck Berry James Brown Ray Charles Nat King Cole John Coltrane Sam Cooke Miles Davis Sammy Davis Jr. Fats Domino Dennis Edwards Duke Ellington Art Farmer Ella Fitzgerald Roberta Flack Aretha Franklin Marvin Gaye Dizzy Gillespie Buddy Guy Isaac Hayes Jimi Hendrix Gil Scott-Heron Billie Holiday John Lee Hooker Whitney Houston Michael Jackson Etta James Rick James ...
B Wise; B Young; B-Legit; B-Lovee; B-Real; B-Tight; B'Flow; B. Cooper; B. Dolan; B. Smyth; B.G. B.G., the Prince of Rap; B.G. Knocc Out; B.o.B [1]; Baauer; Baba Saad ...
List of R&B musicians encompasses sub-genres such as urban-contemporary, doo wop, southern, neo-soul and soul, indie, alternative, country, rap, ska, funk, pop, rock, electronic and new jack swing fusions.
& The Mysterians; The 13th Floor Elevators; 3's a Crowd; The 31st of February; A Passing Fancy; Aaron Neville; Ace Cannon; The Action; Adam Faith; Adam Wade; The Ad Libs
List of 1940–1979 blues musicians, showing name, birth and death years, origin, primary style, and references; Name Birth year Death year Origin Primary style Ref(s) The Aces: Illinois Chicago blues [130] Woodrow Adams: 1917 1988 Mississippi Electric blues [131] Luther Allison: 1939 1997 Arkansas Chicago blues [132] Mose Allison: 1927 2016 ...
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.