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Title page of Franz Rigler's "Three Rondos" (1790) First page of the manuscript for Mozart's Adagio and Rondo for glass harmonica, flute, oboe, viola and cello. The rondo is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or ...
The rondò is distinct from the refrain form called rondo. [6] In recent English and German musical literature, the Italian spelling and pronunciation (with accent on the last syllable) has been adopted to distinguish this from the (predominantly instrumental) form called rondo (with accent on the first syllable).
Label: Cleo Music AG; Formats: CD — — — — — — — — — — "—" denotes a recording that did not chart or was not released in that territory.
Rondò Veneziano is an Italian chamber orchestra, specializing in Baroque music, playing original instruments, but incorporating a rock-style rhythm section of synthesizer, bass guitar and drums, led by Maestro Gian Piero Reverberi, who is also the principal composer of all of the original Rondò Veneziano pieces.
Rondo in D KV 382: Score and critical report (in German) in the Neue Mozart-Ausgabe; Rondo in D, K. 382: Scores at the International Music Score Library Project "Rondo in D, K. 382 (Moscow Youth Chamber Orchestra/Daiana Hoffmann(Conductor), Daniil Orlov (Piano))". Daiana Hoffmann (YouTube). 22 March 2017. Archived from the original on 20 ...
An alternative to buying printed music in Mozart's day was the purchase of handwritten copies. [8] Later in 1787 (17 October), an advertisement in the Wiener Zeitung announced that manuscript copies of the Rondo (price 1 florin) were available from the copyist Johann Traeg, who had previously issued three of Mozart's piano concertos. [9]
Mozart wrote the Rondo in A major at around the same time as his three first Vienna piano concertos, nos. 11, 12 and 13. When the autograph manuscript was sold, Mozart's widow and her helpers apparently were unable to locate the concluding pages, although some notations on it and contemporary correspondence show that they attempted to find the ending. [2]
Alla ingharese quasi un Capriccio score, 1794–1795, musical autograph. The "Rondo Alla ingharese quasi un capriccio" in G major, Op. 129 (Italian for "Rondo in the Hungarian [i.e. gypsy] style, almost a caprice"), is a rondo for piano written by Ludwig van Beethoven. [1]