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Jacopo Pontormo, Deposition from the Cross (ca. 1525–1528), Church of Santa Felicita, Florence. Caravaggio's painting is a visual counterpart to the Mass, with the priest raising the newly consecrated host with the Entombment as a backdrop. The privileged placement of the altar would have meant that this was a daily occurrence; the act ...
The Hands of Caravaggio, an album from 2001 by electro-acoustic improvisation group M.I.M.E.O. was inspired by the painting. The painting was the subject of a special Easter program in 2009 in the BBC series The Private Life of a Masterpiece. Mel Gibson said that the cinematography in The Passion of the Christ aimed to imitate Caravaggio's ...
Rosso Fiorentino. Descent from the Cross. 1521.Oil on wood. 375 × 196 cm. Pinacoteca Comunale di Volterra, Italy.. The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, John 19:38–42).
Christ at the Column (also known as The Flagellation of Christ; c. 1606/1607), is a painting by the Italian Baroque painter Caravaggio, now in the Musée des Beaux-Arts de Rouen, Rouen, France. This is one of two versions of the Flagellation of Christ by Caravaggio painted late in 1606 or early in 1607, soon after his arrival in Naples.
Christ Going to Calvary is a 1534 oil on panel painting by Polidoro da Caravaggio, now in the National Museum of Capodimonte in Naples.. It was commissioned in 1530 by Pietro Ansalone, consul of the 'confraternita dei Catalani', for the church of Santissima Annunziata dei Catalani in Messina, who intended it to compete with Raphael's 1517 Christ Falling on the Way to Calvary for Santa Maria ...
In the Gospel of Mark (16:12) Jesus is said to have appeared to them "in another form", which may be why he is depicted beardless here, as opposed to the bearded Christ in Calling of St Matthew, where a group of seated money counters is interrupted by the recruiting Christ. It is also a recurring theme in Caravaggio's paintings to find the ...
The burial of Jesus refers to the entombment of the body of Jesus after his crucifixion before the eve of the sabbath.This event is described in the New Testament.According to the canonical gospel narratives, he was placed in a tomb by a councillor of the Sanhedrin named Joseph of Arimathea; [2] according to Acts 13:28–29, he was laid in a tomb by "the council as a whole". [3]
The saint, bound to the cross with ropes, was said to have survived two days, preaching to the crowd and eventually converting them so that they demanded his release. [2] When the Roman Proconsul Aegeas [ 3 ] —depicted lower right—ordered him taken down, his men were struck by a miraculous paralysis, in answer to the saint's prayer that he ...