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[2] [8] On the neck are two elephant heads forming two handles. Originally, the vases had porcelain rings suspended from the handles. [4] There are a few small differences in decorations between the two vases, for example, the mouth of the dragon is closed in one but open in the other. [2]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
Tall bowl with a long handle. Móu (鍪): A vase with two handles. Vessels of this type are classed as hú (壺) in the Xiqing gujian. Píng (瓶): Tall vase with a long slender neck opening up to a narrow mouth. Pǒu (瓿, pronounced bù in China): A small bronze wèng (甕).
[15] Decoration also tends to be used to fill in the background of most vessels, sometimes across the entire body of a vessel, but in other instances only a single band of décor is used. In these backgrounds, a whirl or thunder pattern, a low relief spiral design, is used to fill the space and create a texture across the surface of the vessel.
This pack of 12 rings plated in 18k gold has something for everyone, from signets to chunky twists. This assortment includes a range of sizes (4 to 9), so you can wear them all at once as a set ...
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The François Vase, (or François Krater), is a large Attic volute krater decorated in the black-figure style. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases.
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