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[2] [8] On the neck are two elephant heads forming two handles. Originally, the vases had porcelain rings suspended from the handles. [4] There are a few small differences in decorations between the two vases, for example, the mouth of the dragon is closed in one but open in the other. [2]
Resonance amphora embedded in the wall of the church of the Chartreuse Notre-Dame-du-Val-de-Bénédiction [], Villeneuve-lès-Avignon.. An acoustic jar, also known by the Greek name echea (ηχεία, literally echoers), or sounding vases, are ceramic vessels found set into the walls, ceilings, and sometimes floors, of medieval churches.
Gū (觚): Tall wine cup with no handles, the mouth larger than its base. Guǐ (簋): A bowl with two handles. Hé (盉): A wine vessel shaped like a tea pot with three legs. It has a handle (pàn 鋬) and a straight spout that points diagonally upwards. Jiǎ (斝): A cauldron for warming wine.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
The Medici Vase on Display in the Galleria degli Uffizi in Florence Etching by Stefano della Bella (1656); the young Grand Duke Cosimo III drawing the vase at the Villa Medici, Rome. The Medici Vase is a monumental marble bell-shaped krater sculpted in Athens in the second half of the 1st century AD as a garden ornament for the Roman market.
[15] Decoration also tends to be used to fill in the background of most vessels, sometimes across the entire body of a vessel, but in other instances only a single band of décor is used. In these backgrounds, a whirl or thunder pattern, a low relief spiral design, is used to fill the space and create a texture across the surface of the vessel.
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