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AllMusic's Donald Guarisco said the song's lyrics "use the scenario of a lovelorn narrator trying to talk a telephone operator into connecting him with a lover who will not answer her phone, a scenario that has been used in songs as diverse as "Memphis, Tennessee" and "Operator"," adding that the song "could have easily become an over-the-top exercise in camp but is saved by a gorgeous melody ...
"He Mele Lāhui Hawaiʻi" ("Song of the Hawaiian Nation") was composed by Liliʻuokalani in November 1866 at the request of Kamehameha V, who wanted a national anthem to replace the British anthem "God Save the King". It replaced Lunalilo's composition "E Ola Ke Aliʻi Ke Akua" as the national anthem. Liliʻuokalani wrote: "The king was present ...
The bassist (electric bass or double bass) uses the chord symbols to help improvise a bass line that outlines the chords, often by emphasizing the root and other key scale tones (third, fifth, and in a jazz context, the seventh). The lead instruments, such as a saxophonist or lead guitarist, use the chord chart to guide their improvised solos.
Hawaiian is a predominantly verb–subject–object language. However, word order is flexible, and the emphatic word can be placed first in the sentence. [1]: p28 Hawaiian largely avoids subordinate clauses, [1]: p.27 and often uses a possessive construction instead.
Hello, Hawaii, How Are You? is a song written in 1915, by Jean Schwartz, Bert Kalmar and Edgar Leslie. The song was inspired by the American Telephone and Telegraph Company 's recent successful radio (then commonly called "wireless") telephone transmission from the U.S. Navy's station, NAA in Arlington, Virginia, to Hawaii . [ 1 ]
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For example, there are a number of songs in E major which use the ♭ III chord (e.g., a G major chord used in an E major song), the ♭ VII chord (e.g., a D major chord used in an E major song) and the ♭ VI chord (e.g., a C major chord used in an E major song). All of these chords are "borrowed" from the key of E minor.
In some fonts, the ASCII apostrophe is rendered as a right single quotation mark, which is an even less satisfactory glyph for the ʻokina—essentially a 180° rotation of the correct shape. Many other character sets expanded on the overloaded ASCII apostrophe, providing distinct characters for the left and right single quotation marks.