Search results
Results from the WOW.Com Content Network
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Fortissimo: very strong: Very loud Mezzo forte: half-strong: Moderately loud Marcato: marked: A note played forcefully Messa di voce: placing the voice: A style of singing involving changing volume while holding a single note Piano: gentle: Soft Pianissimo: very gentle: Very soft Mezzo piano: half-gentle: Moderately soft Sforzando: strained ...
"Fortissimo" is a 1966 song brought to success by Rita Pavone. The music was composed by Bruno Canfora , while the lyrics were written by director and screenwriter Lina Wertmüller , at the time a close collaborator of Pavone, after having directed her in the television miniseries Il giornalino di Gian Burrasca and in the musicarello film Rita ...
Pianissimo is a term in music dynamics meaning "to be played very softly." Pianissimo may also refer to: Pianissimo, a 1990 album by Suzanne Ciani; Pianissimo, a part of the Requiem trilogy by Virgin Black
After an abrupt end to the second theme and a pregnant pause, a minor dotted-rhythm chordal theme in F-minor suddenly enters fortissimo, elaborating and modulating before sublimating into a pianissimo version of itself in the parallel major. This third theme is highly similar in rhythm and melodic contour as well as left-hand pattern to the ...
Bellinger’s extensive experience at both first base and center field — a position New York was certain to move Aaron Judge off once Soto left — made him a sensible target to improve New York ...
In the BitTorrent file distribution system, a torrent file or meta-info file is a computer file that contains metadata about files and folders to be distributed, and usually also a list of the network locations of trackers, which are computers that help participants in the system find each other and form efficient distribution groups called swarms. [1]
The listener is exposed to the apocalyptic blare of several horns, trombones, trumpets and tuba, which, as Jaffé describes it, "balefully [play] the opening 'fate' theme fortissimo", [8] while piano, flutes and strings still shriek in unison up and down the higher ranges. Two cymbal crashes end the cataclysm in G minor.