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The film-poem (also called the poetic avant-garde film, verse-film or verse-documentary or film poem without the hyphen) [1] is a label first applied to American avant-garde films released after World War II. [2] During this time, the relationship between film and poetry was debated.
Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
Pages in category "Poems adapted into films" The following 44 pages are in this category, out of 44 total. This list may not reflect recent changes. A. Aniara;
The Canterbury Tales (film) Carmen (2022 film) Casey at the Bat (1916 film) Casey at the Bat (1927 film) The Charge of the Light Brigade (1912 film) The Charge of the Light Brigade (1936 film) City Under the Sea; Clancy of the Mounted; The Color of Pomegranates; Cordula (film) The Cornet (film) The Courtship of Miles Standish (1923 film) The ...
Poetry film is a subgenre of film that fuses the use of spoken word poetry, visual images, and sound. This fusion of image and spoken word (both independent and interdependent) creates what William Wees called the "Poetry-film" genre.
In the 1909 novel The Phantom of the Opera, as well as subsequent film and stage adaptations, the title character appears disguised as The Red Death at a ball.; In Chapter 4 of the 1940 movie serial Drums of Fu Manchu, "The Pendulum of Doom", the hero Allan Parker is trapped in a "Pit and the Pendulum" peril (Fu Manchu actually states that the Poe story inspired this torture device).
In 1994, to promote the film, Miramax published The Postman (Il Postino): Music From The Miramax Motion Picture, which besides the film's score, composed by Luis Enríquez Bacalov, includes Neruda's poems recited by many celebrities. There are a total of 31 tracks.
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