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The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called maki-e (蒔絵) in which metal powder is sprinkled to attach to lacquer. The invention of various maki-e techniques in Japanese history expanded artistic expression, and various tools and works of art such as inro are highly decorative ...
Creating images with crushed eggshell, painting pigment over gold and tin foil and adding sand to lacquer were all techniques developed by those first students. The metallic color lacquerware for which Vietnamese craftsmen are rightly famous, was first developed by artists experimenting with many innovative techniques.
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
Kohei Kirimoto, an 8th-generation lacquerware artisan, walked through the ruins of his century-old workshop in the Japanese coastal town of Wajima on Thursday, concerned only for his missing cats.
The Traditional Crafts of Japan (伝統的工芸品, dentōteki kōgeihin) is a series of Japanese crafts specially recognized and designated as such by the Minister of Economy, Trade and Industry (formerly, the Minister of International Trade and Industry) in accordance with the 1974 Act on the Promotion of Traditional Craft Industries [].
Japanning firms ranged in size from small family workshops, which often adjoined the proprietor's home, to a few large factories employing over 250 people. In the larger workshops, the production of tin plate and papier-mâché articles and the japanning process all took place under one roof, while small workshops tended to carry out only one ...
The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
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