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The JBL L-100 and 4310 control monitors were popular home speakers. In the late 1970s, the new L-series designs L15, L26, L46, L56, L86, L96, L112, L150, and later the L150A and flagship L250 were introduced with improved crossovers, ceramic magnet woofers, updated midrange drivers, and aluminum-deposition phenolic resin tweeters.
This is a list of notable manufacturers of studio monitors. ... JBL: United States: 3 series, Control KRK: United States: Rokit, V-series M-Audio: United States: AV ...
The original Voice of the Theatre series included the A-1, A-2, A-4, and the A-5. The A-7 and A-8 were designed for smaller venues. In 2004, the A-7 Voice of the Theatre system was inducted into the TECnology Hall of Fame , an honor given to "products and innovations that have had an enduring impact on the development of audio technology."
Some of the first powered loudspeakers were JBL monitor speakers. With the addition of the SE401 Stereo Energizer, introduced in 1964, any pair of monitor speakers could be converted to self-powered operation with the second speaker powered by the first. [8] The first studio monitor with an active crossover was the OY invented 1967 by Klein-Hummel.
The 4311 was so popular with professionals that JBL introduced a domestic version for the burgeoning home-audio market. This speaker, the JBL L-100, (or "Century") was a massive success and became the biggest-selling hi-fi speaker ever within a few years. By 1975, JBL overtook Altec as the monitor of choice for most studios.
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