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The Art of Violin Playing, Daniel Melsa, Foulsham & Co. Ltd. Biographical Notice of Nicolo Paganini, by F.J. Fétis (c. 1880), Schott & Co. The Book of the Violin, edited by Dominic Gill (1984), Phaidon Press. ISBN 0-7148-2286-8; The Devil's Box-Masters of Southern Fiddling by Charles Wolfe (1997), Country Music Foundation Press. ISBN 0-8265-1324-7
The Gagliano dynasty – particularly Alessandro, Nicolò I and Gennaro – are considered the high point of Neapolitan violin making. There are as many as eighteen Gagliano violin makers known worldwide today. Below is a family tree of a few of its most recognizable luthiers. Main exponents of Gagliano family.
While his shop produced instruments of varying quality from superior to poor, the best instruments he produced are widely regarded as the finest violins made in England during the 18th century. In particular, Duke made several instruments modeled after a violin he owned that was created in 1692 by Antonio Stradivari .
A violin made by Josef Klotz in Germany in 1794 Matthias Klotz memorial in Mittenwald. Klotz is a family of violin makers. Members of the Klotz (or Kloz) family have made violins in Mittenwald, Bavaria from the mid-17th century to the present. Matthias Klotz (1656–1743) founded the Mittenwald school of violin making. Mittenwald prospered and ...
The following lists of violinists are available: . List of classical violinists, notable violinists from the baroque era onwards; List of contemporary classical violinists, notable contemporary classical violinists
The makers of France and the Low Countries more or less followed Italian models, and during the past century there have been many excellent French copyists of Stradivari and Guarnieri; two of the best are noticed under Lupot and Vuillaume: besides these there have been Aldric, G. Chanot the elder, Silvestre, Maucotel, Mennegand, Henry, and Rambaux.
Thomas Molineux or Thomas Molyneux (Irish: Tomás Ó Maoileagáin; c. 1700 – 25 January 1757) was an Irish luthier and maker of violins from Dublin. [2] [3] His instruments are some of the oldest surviving Irish violins, one of which is housed as part of a collection in the National Museum of Ireland, Dublin.
Matteo Goffriller (1659–1742) was a Venetian luthier, particularly noted for the quality of his cellos.He was active between 1685–1735 and was the founder of the "Venetian School" of luthiers, [1] during a time when Venice was one of the most important centers of musical activity in the world.
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