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Vassily Kandinsky Vassily Kandinsky, Komposition V, 1911. One of the main challenges of creating a reverse glass painting is how layers are applied when painting. [6] An illustration of this type is usually painted on the opposite side of the glass (the one not presented to the audience), following an opposite succession of layers of paint, applying the front most layer first and the ...
Blenko Glass Company used this method to make flat glass during the 20th century, but it used a process patented by William Blenko that used molds for the cylinder to enable consistency in the size of the glass. In Blenko's case, slight imperfections were desired for the purpose of giving the flat glass the appearance of antique glass. [1]
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [ 2 ] [ 9 ] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design.
The technique is first seen in ancient Roman art of about 30 BC, where it was an alternative to the more luxurious engraved gem vessels in cameo style that used naturally layered semi-precious gemstones such as onyx and agate. [1] Glass allowed consistent and predictable colored layers, even for round objects. [2]
Opaline glass is a style of antique glassware that was produced in Europe, particularly 19th-century France. It was originally made by adding materials such as bone ash to lead-crystal, creating a semi-opaque glass with reddish opalescence .
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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The Gennadios medallion in New York, illustrated above, is a fine example of an Alexandrian portrait on blue glass, using a rather more complex technique and naturalistic style than most Roman examples, including painting onto the gold to create shading, and with the Greek inscription showing local dialect features.