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Glass block, also known as glass brick, is an architectural element made from glass used in areas where privacy or visual obscuration is desired while admitting light, such as underground parking garages, washrooms, and municipal swimming baths. Glass block was originally developed in the early 1900s to provide natural light in industrial ...
Blenko Glass Company used this method to make flat glass during the 20th century, but it used a process patented by William Blenko that used molds for the cylinder to enable consistency in the size of the glass. In Blenko's case, slight imperfections were desired for the purpose of giving the flat glass the appearance of antique glass. [1]
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Then the builders of the great Norman and Gothic cathedrals of Europe took the art of glass to new heights with the use of stained glass windows as a major architectural and decorative element. Glass from Murano, in the Venetian Lagoon, (also known as Venetian glass) is the result of hundreds of years of refinement and invention. Murano is ...
The technique is first seen in ancient Roman art of about 30 BC, where it was an alternative to the more luxurious engraved gem vessels in cameo style that used naturally layered semi-precious gemstones such as onyx and agate. [1] Glass allowed consistent and predictable colored layers, even for round objects. [2]
Glass blocks can provide light and serve as a decorative addition to an architectural structure, but hollow glass blocks are non load-bearing unless stated otherwise. Hollow glass wall blocks are manufactured as two separate halves and, while the glass is still molten, the two pieces are pressed together and annealed .
The Gennadios medallion in New York, illustrated above, is a fine example of an Alexandrian portrait on blue glass, using a rather more complex technique and naturalistic style than most Roman examples, including painting onto the gold to create shading, and with the Greek inscription showing local dialect features.
Dalle de verre was brought to the UK by Pierre Fourmaintraux [citation needed] who joined James Powell and Sons (later Whitefriars Glass Studio) in 1956 and trained Dom Charles Norris in the technique. Norris was a Benedictine monk of Buckfast Abbey who went on to become arguably the most prolific British proponent of dalle de verre.