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Queen Isabella I's crowns passed to her third child, Joanna, and her son-in-law, Philip I. [107] Isabella did, however, make successful dynastic matches for her two youngest daughters. The death of Isabella of Aragon created a necessity for Manuel I of Portugal to remarry, and Isabella's third daughter, Maria of Aragon and Castile , became his ...
The Monument to Isabella the Catholic (Spanish: Monumento a Isabel la Católica) also known as the Monumento a Isabel la Católica y Colón ("Monument to Isabella the Catholic and Columbus") or monumento del IV Centenario ("Monument of the 400th Anniversary") is an instance of public art in Granada, Spain.
The c. 300 paintings owned by Isabella I of Castile (d. 1504) were dispersed in an auction after her death, with the paintings fetching very low prices compared to the many tapestries or her jewels and even clothes. For example, a painting by Hieronymus Bosch was valued at 170 maravedis, but a tapestry of Lazarus
The picture shows the handing over of the keys of the city of Granada by Emir Muhammad XII (Boabdil) of Granada to the Catholic Monarchs of Spain, Isabella and Ferdinand on 2 January 1492. Characters depicted in the painting. The group of Christian conquerors is depicted on the right side of the painting, as seen from the viewer.
The Catholic Monarchs [a] [b] were Queen Isabella I of Castile (r. 1474–1504) [1] and King Ferdinand II of Aragon (r. 1479–1516), whose marriage and joint rule marked the de facto unification of Spain. [2]
The Monument to Isabella the Catholic (Spanish: Monumento a Isabel la Católica) is an instance of public art located in Madrid, Spain. A work by Manuel Oms , the monument is a sculptural bronze ensemble consisting of an equestrian statue of Isabella of Castile, accompanied by Pedro González de Mendoza and Gonzalo Fernández de Córdoba.
The walls of the Throne Room mostly consist of portraits of various kings, which are part of the collection of kings commissioned by Queen Isabella II of Spain. Both portraits are signed by their respective artists: the portrait of Isabella I of Castile is signed by Madrazo, while the portrait of Ferdinand II of Aragon is signed by Montañés. [11]
The painting Madonna of the Catholic Monarchs (La Virgen de los Reyes Católicos) by Pedro Berruguete includes the portraits of Ferdinand, Isabella and their children. The model for Baby Jesus was their grandson Miguel de Paz, who was briefly Crown Prince to Castile, Aragon and Portugal at the same time.