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The yelek was a long caftan with a fitted body and skirts with long slashes that allowed the panels to be tucked upwards and revealed the pants underneath. It had a low neckline and fastened with buttons. It had long sleeves that hung loose from the elbow and revealed the shift underneath. The entari ('antree [26]) was cut the same way, but ...
The bekishe derives from the Hungarian bekes c. 16th century, a sort of fur-lined coat with a collar, fastened by clasps. The bekes was often richly decorated, sometimes with galloon . [ 3 ] One force driving caution with use of wool is the Biblical injunction against mixing it with linen (Lev. 19:19; Deut. 22:11).
Women, on the other hand, wore wide short sleeved, long gowns that button on the left side, with decorative elements at the edge of the sleeves and the collar, accompanied with a bafu luoqun (or skirt of eight widths) made of red and black checked silk, embroidered with flowers or other designs.
The fringes and cuffs might be decorated with embroidery, with a band around the upper arm as well. In the 10th and 11th century a dress with flared sleeves, eventually very full indeed at the wrist, becomes increasingly popular, before disappearing; working women are shown with the sleeves tied up. In court ladies this may come with a V-collar.
In the Ararat Valley, especially in the urban environment of Yerevan, the complex of women's clothing included a fabric silk belt with two long curtain rods embroidered with silk and gold threads. Syunik and Artsakh also used a leather belt with a large silver buckle and sewn silver plates made in the technique of engraving, filigree and black.
It features a comfortable cowl neck, long batwing sleeves and a cut that's flattering while still being so snuggly. Made from a super-soft woven blend, it comes in 24 colors.
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