Search results
Results from the WOW.Com Content Network
The Threepenny Opera [a] (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, [1] and four ballads by François Villon, with music by Kurt Weill.
The Threepenny Opera (German: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst.Produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG (), Berlin and Warner Bros. Pictures GmbH, Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and Kurt Weill.
Pirate Jenny" (German: "Seeräuber-Jenny") is a well-known song from The Threepenny Opera by Kurt Weill, with lyrics by Bertolt Brecht. The English lyrics are by Marc Blitzstein. It is one of the best known songs in the opera, after "Mack the Knife".
A production of Bertolt Brecht's The Threepenny Opera (1928) Defined as a "socialist critique of capitalist life", The Threepenny Opera was another musical drama Brecht did in collaboration with Kurt Weill that focused on the repercussions of living in a capitalist utopia "driving people to do anything to make money". [33]
Threepenny Opera or Three Penny Opera may refer to: The Threepenny Opera, a 1928 German "play with music" by Bertolt Brecht; The Threepenny Opera ...
A Moritat is a medieval version of the murder ballad performed by strolling minstrels.In The Threepenny Opera, the Moritat singer with his street organ introduces and closes the drama with the tale of the deadly Mackie Messer, or Mack the Knife, a character based on the dashing highwayman Macheath in John Gay's The Beggar's Opera (who was in turn based on the historical thief Jack Sheppard).
A marvelously mixed crowd turns out for L.A. Opera's new production of 'Tosca' staring Angel Blue, Gregory Kunde and Ryan McKinny.
Saint Joan of the Stockyards (German: Die heilige Johanna der Schlachthöfe) is a play written by the German modernist playwright Bertolt Brecht between 1929 and 1931, after the success of his musical The Threepenny Opera and during the period of his radical experimental work with the Lehrstücke.