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Leaving It All Behind is the fifth studio album by the American rock band the Grass Roots, released in November 1969 by Dunhill Records. Following the departure of Creed Bratton, who left in April 1969, [3] seasoned musician Dennis Provisor joined the group, solidifying the new direction of the band. Terry Furlong and Brian Naughton became ...
Phrenology is the fifth studio album by American hip hop band the Roots, released on November 26, 2002, by MCA Records.Recording sessions for the album took place during June 2000 to September 2002 [1] at Electric Lady Studios in New York. [2]
Illadelph Halflife, the third album by the Roots, peaked at number twenty-one on the Billboard 200. [3] In 1999, the Roots' fourth album Things Fall Apart became the band's biggest success. The album was certified gold in the US, [ 4 ] and its single " You Got Me " peaked at number thirty-nine on the Billboard Hot 100 , and number nineteen on ...
Ad Lib (album) The Al Casey Quartet; All Time Hits; Alone Together (Tony Bennett album) Alone with the Blues (Red Garland album) O Amor, o Sorriso e a Flor; André Previn Plays Songs by Harold Arlen; Anita O'Day and Billy May Swing Rodgers and Hart; Another Opus; Around Midnight; Around the World with The Chipmunks; Art Pepper + Eleven ...
It was the first of three single releases from the group's fifth LP, Leaving It All Behind, and is among the group's five greatest hits. It was written by Gary Zekley and Mitchell Bottler. The album version contains a slow organ intro and a longer fadeout, increasing the track's length by almost a minute.
More Golden Grass is the second compilation album by the American rock band the Grass Roots, released in September 1970 by Dunhill Records. It includes the No. 15 charting single "Temptation Eyes", the No. 61 charting single "Come On And Say It", and the No. 35 charting single "Baby Hold On". The album charted at No. 152. [2]
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The album debuted at number four on the U.S. Billboard 200 chart, selling 109,000 copies in its first week. [21] Despite mixed criticism towards its production and lyrical substance, [5] [9] [17] [22] The Tipping Point received generally positive reviews from most music critics, based on an aggregate score of 72 out of 100 on Metacritic. [14]