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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Alfred H. Barr, Jr., Cubism and Abstract Art, New York: Museum of Modern Art, 1936. John Cauman (2001). Inheriting Cubism: The Impact of Cubism on American Art, 1909-1936. New York: Hollis Taggart Galleries. ISBN 978-0-9705723-4-9. Cooper, Douglas (1970). The Cubist Epoch. London: Phaidon in association with the Los Angeles County Museum of Art ...
Both his early reliefs and three-dimensional sculptures attach problems posed by Cubist painters first. Lipchitz and Laurens were concerned with giving tangible substance to idea first pronounced by Jean Metzinger in his 1910 Note sur la peinture [35] of simultaneous multiple views. "They were", as Goldwater notes, "undoubtedly impressed with ...
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
Joseph Csaky (also written Josef Csàky, Csáky József, József Csáky and Joseph Alexandre Czaky) (18 March 1888 – 1 May 1971) was a Hungarian avant-garde artist, sculptor, and graphic artist, best known for his early participation in the Cubist movement as a sculptor.
The collaboration between Albert Gleizes and Jean Metzinger that would lead to the publication of Du "Cubisme" began during the aftermath of the 1910 Salon d'Automne. [3] At this massive Parisian exhibition, renowned for displaying the latest and most radical artistic tendencies, several artists including Gleizes, and in particular Metzinger, stood out from the rest.
George Lovett Kingsland Morris (November 14, 1905 – June 26, 1975) was an American artist, writer, and editor who advocated for an "American abstract art" during the 1930s and 1940s, and is best known for his Cubist sculptures and paintings.
After the war left medicine and studied art at the Atelier Araújo in Paris from 1920 to 1922, where he became interested in Cubism and abstract art. [2] He also studied under Fernand Léger at the Academie Moderne, which was an important part of the development of the inter-war avant-garde movement. [4]