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The Disasters of War is the second of Goya's four major print series, which constitute almost all of his most important work in the medium. He also created 35 prints early in his career—many of which are reproductions of his portraits and other works—and about 16 lithographs while living in France. [ 67 ]
The Second of May 1808, by Goya, also known as The Charge of the Mamelukes (Spanish: El 2 de mayo de 1808 en Madrid, La lucha con los mamelucos or La carga de los mamelucos), [1] is a painting by the Spanish painter Francisco Goya.
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
The rape of Europa (El rapto de Europa), Francisco Goya. Francisco Goya was a portraitist and court painter to the Spanish Crown, a chronicler of history, and, in his unofficial work, a revolutionary and a visionary. Goya painted the Spanish royal family, including Charles IV of Spain and Ferdinand VII.
The Victorious Hannibal Seeing Italy from the Alps for the First Time, [1] or Hannibal the victor crossing the Alps, [2] or Hannibal the victorious from the heights of the Alps looks out over the plains of Italy [3] (Spanish: Aníbal vencedor que por primera vez mira Italia desde los Alpes) is an oil painting by Spanish painter Francisco Goya, dating from his early years.
The Portrait of the Duchess of Alba was painted in 1797 by Spanish painter Francisco José de Goya y Lucientes. It is among a number of works by Goya representing María Cayetana de Silva, 13th Duchess of Alba [a]. [3] At the time the work was created, she was thirty-five years old.
Fight with Cudgels (Spanish: Riña a garrotazos or Duelo a garrotazos), called The Strangers or Cowherds in the inventories, [2] is the name given to a painting by Spanish artist Francisco Goya, now in the Museo del Prado, Madrid. Goya did not give names to his Black Paintings. These names are courtesy of art historians. [3]
For Goya they were the first patrons, their recognition of the painter's work significantly influenced his career as a portrait painter. In the years 1783–1784, as a guest of the infanta at Arenas de San Pedro, Goya performed many works for them; including a collective portrait, "The family of Infant don Luis", in which the countess is a girl ...