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There are gold clouds within the scene, an element borrowed from Japanese byōbu. [3] During the colonial-era of Mexico, the art of Mexico was influenced by Asian art, objects and artists introduced to the region via the Manilla Galleons. Notable among the influences were Japanese folding screens. [4] The word byōbu entered Mexican Spanish as ...
The painting is a polychrome-and-gold screen that depicts a cypress tree against the backdrop of gold-leafed clouds, and surrounded by the dark blue waters of a pond. The painting stretches across two four-panel folding screens from circa 1590; it is made of paper covered with gold leaf, depicting a cypress tree, a symbol of longevity in Japan.
The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
He was a central figure of the Rinpa school of art in Kyoto. The Rinpa school of art grew in the early 17th century with the establishment of the bakufu (military government) in Edo, later named Tokyo. During that time, large-format paintings on folding screens and sliding doors were common, and located in castles, palaces, or temples.
Irises (紙本金地著色燕子花図, shihonkinji chakushoku kakitsubata-zu) is a pair of six-panel folding screens by the Japanese artist Ogata Kōrin of the Rinpa school. It depicts an abstracted view of water with drifts of Japanese irises (Iris laevigata).
The folding screen would have been a subject of study during the Azuchi–Momoyama and Edo period, thru open study by independent painters, machi-eshi (townsman painters). Observation and study would give way and influence towards Rinpa style, with prominent artists including Tawaraya Sōtatsu .
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