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The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
Before Europeans brought glass beads to the southeast in the 16th century, pearls and Job's tears were popular materials for necklaces. Ear spools of stone, or sometimes wood overlaid with copper foil, were popular, and many have been found at Spiro Mounds from 1100 to 1400 CE. [34] European contact introduced glass beads and silversmithing ...
The Cellini spiral is a variation on the Peyote stitch that uses beads of increasing size to create a textured surface. It was originated by seed bead masters Virginia Blakelock and Carol Perenoud who developed the tubular variation and named it after Benvenuto Cellini, a 16th-century Italian sculptor known for his Rococo architectural columns. [2]
One particularly popular type of design at this time was a bracelet decorated with snake and animal-heads Because these bracelets used considerably more metal, many examples were made from bronze. By 300 BC, the Greeks had mastered making coloured jewellery and using amethysts , pearl , and emeralds .
A selection of glass beads Merovingian bead Trade beads, 18th century Trade beads, 18th century. A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing.
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