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Lampworked dichroic glass bead showing thin film application Furnace glass beads. A variant of the wound glass bead making technique, and a labor-intensive one, is what is traditionally called lampworking. In the Venetian industry, where very large quantities of beads were produced in the 19th century for the African trade, the core of a ...
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
The Cellini spiral is a variation on the Peyote stitch that uses beads of increasing size to create a textured surface. It was originated by seed bead masters Virginia Blakelock and Carol Perenoud who developed the tubular variation and named it after Benvenuto Cellini , a 16th-century Italian sculptor known for his Rococo architectural columns.
At the beginning of the 20th century embroidery workshops were created on the territory of Galicia and Bukovyna, where, along with weaving and embroidery, jewelry from beads was made. Contemporary beadwork includes: beaded clothing, collars, bracelets, necklaces, clothing accessories like handbags and purses. [16] [17] [18] [19]
In the simplest example of handmade wire wrapped jewelry, a bead is threaded onto a jewelry making finding called a head–pin. The bead is held in place by the "head" on the head pin. The portion of the head pin coming out of the opposite side of the bead is essentially wire.
One particularly popular type of design at this time was a bracelet decorated with snake and animal-heads Because these bracelets used considerably more metal, many examples were made from bronze. By 300 BC, the Greeks had mastered making coloured jewellery and using amethysts , pearl , and emeralds .
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