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"Bad Boys" is a 1987 song by the Jamaican reggae band Inner Circle, which gained high popularity in the United States after its re-release in 1993, peaking at number eight on the Billboard Hot 100 and number seven on the Top 40 Mainstream. [1]
Two versions of the album (U.S. and international) were released in 1992, and a U.S. re-issue titled Bad Boys was released in 1993. The U.S. re-issue won the Grammy Award for Best Reggae Album. Bad to the Bone (international version) and Bad Boys contain the singles "Sweat (A La La La La Long)", "Rock with You", and "Bad Boys".
Inner Circle, also known as The Inner Circle Band or The Bad Boys of Reggae, are a Jamaican reggae band formed in Kingston in 1968. The band first backed The Chosen Few in the early 1970s before joining with successful solo artist Jacob Miller and releasing a string of records. This era of the band ended with Miller's death in a car crash in 1980.
Inner Circle's "Bad Boys" — the unmistakable theme to the TV show “Cops,” which was pulled off the Paramount Network this week after more than 30 years on the air — amounts to a major ...
A remix by the Bass Brothers appears on his major-label debut album, The Slim Shady LP. According to the book Angry Blonde, this was Eminem's first song as his alter ego "Slim Shady". Eminem recorded a sequel to the song entitled "Still Don't Give a Fuck", which also appears on The Slim Shady LP.
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[5] Slim Shady served as Eminem's vent for his frustration and rage to the world. In the spring of 1997, he recorded the eight-song extended play Slim Shady EP. During this time, Eminem and his girlfriend Kim Scott lived in a high-crime neighborhood with their newborn daughter Hailie, where their house was burglarized numerous times. [5]
In a generally good review of Hurt No More, a reviewer for Allmusic spoke negatively about this song saying: . Winans doesn't wear the few occurrences of harder-edged material so well -- "Pretty Girl Bullsh*t," featuring an ill-matched verse from Foxy Brown, is particularly out of character and disrupts the lush, sensual flow of the record.